Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s   Related Paintings of Sandro Botticelli :. | Detail from the Adoraton of the Magi | Transfiguration,wtih St jerome and St Augustine (mk36) | Calumny (mk36) | Primavera (mk36) | Adoration of the Magi |
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James Wilson Morrice
(August 10, 1865 Montreal - January 23, 1924 Tunis) was a significant Canadian landscape painter. He studied at the Academie Julian in Paris, France, where he lived for most of his career. Morrice was the son of a wealthy merchant, and studied law in Toronto from 1882 to 1889. In 1890 he left to study painting in England. The next year he arrived in Paris, where he studied at the Academie Julian from 1892-7. At Julians he befriended Charles Conder and Maurice Prendergast, and also met Robert Henri. Morrice continued to live in Paris until the First World War, although he spent most of his winters in Canada. He made many connections in the intellectual circles of Paris, while also remaining in touch with the Canadian art world:
Jacob van der Ulft
Dutch Baroque Era Painter, 1627-1689
Alfred Dedreux
1810-1860,French painter and draughtsman. His father was the architect Pierre-Anne Dedreux (1788-1849); Alfred's sister, Louise-Marie Becq de Fouqui?res (1825-92), was also an artist. His uncle, Pierre-Joseph Dedreux-Dorcy (1789-1874), a painter and intimate friend of Gericault, took Dedreux frequently to the atelier of Gericault whose choice of subjects, especially horses, had a lasting influence on him. During the 1820s he studied with L?on Cogniet, although his early style was more influenced by the work of Stubbs, Morland, Constable and Landseer, exposure to which probably came through Gericault and the painter Eugene Lami who lived in London in the mid-1820s.